Segregation had legally existed since Plessy v. Ask students: what are some differences you notice between Elvis and Thornton as performers? Explain that the class will now consider one specific example of how desegregation impacted life in s America. In , the U. Supreme Court ruled in the case of Brown v. Board of Education that segregated schools are unconstitutional.
Ferguson decision. In some cases, National Guardsmen were called in to help escort African-American students into school buildings.
Board of Education disrupted that? Elvis added in the strange line "You ain't never caught a rabbit and you ain't no friend of mine" to the Leiber-Stoller lyrics. This odd lyric, like a shake of salt in a perfect stew, morphed a raw diamond into a perfectly polished gem. It is believed this lyric switch was originally performed by Freddie Bell and his Bellboys, but Elvis also did some lyric-switching of his own. In the "Big Mama" Thornton version, she sings, "Well they said you was high class, I can see through that.
Elvis changed this lyric to "Well they said you was high class, but that was just a lie. In the weeks between laying frown the track and its release incredibly, as the B-side of "Don't Be Cruel" , hardly an interview went by without Elvis being asked when the song would come out. Elvis' manager, Colonel Tom Parker, joked with RCA executives that the song was going to be so big that the company would have to change its symbol from the "Victor Dog" to the "Hound Dog. When originally released, it was, ironically, kept out of the 1 spot by its own A-side.
But soon, "Hound Dog" itself became the 1 pop song, a rare first in recording history, both sides of a record topping the charts. On top of all these titles, "Hound Dog" was also voted the 1 most-played song on juke boxes on September 1, Elvis instantly added "Hound Dog" to his repertoire, and it immediately became the bring-down-the-house finale to all his live shows.
He platted his final show at the Louisiana Hayride with "Hound Dog" in December and sang it every opportunity that came upon TV that year. Elvis performed a high-energy version of "Hound Dog" in his legendary "Comeback Special" in Although in his later years, Elvis tended to give his early rock and roll classic songs short shrift in his concerts, he knew no Elvis concert would ever be complete without at least a perfunctory version of his most famous tune.
In his later years, Elvis was to christen one of his private planes The Hound Dog. More than any of Elvis' hit songs, the stirring opening notes of "Hound Dog" instantly conjure up the indelible image of the wild, uncontrolled singer with the sideburns and the jumping beans in his jeans.
It almost seems a kind of tacit agreement amongst Elvis fans the world over that "Hound Dog" is the "theme song" -his trademark. The song was inducted into the Grammy Hall of Fame in Customization and personalization available.
Your email has been sent! This website uses cookies to improve user experience. By using this website you consent to all cookies in accordance with our Privacy Policy. YouTube link Alright, now lets skip up to the spring of YouTube link And so, in what Elvis would later call "the most embarrassing moment" of his career, he appeared, singing "Hound Dog" to a Bassett hound!!!
In , when she recorded Hound Dog, Elvis was still in high school. He didn't record anything until In when he recorded it , I have never read of Big Mama wanting to sing it with Elvis, whether in the studio, a tv show, or in a concert. What is your source? I have been an Elvis fan for most of my life, and also have studied the history of Rock and Pop , reading lots of books.
I have never heard of this 'singing together'. Please provide more information on that. He was the dog. Elvis is singing it to a real dog. Which is not right at all. So the record that is celebrated is not the record that should be celebrated. She was singing to a man. And he was singing to a dog.
Somebody that was sponging off of her. It was written on August 12, , when Mike and Jerry were each It was one of the first songs they wrote together, after being invited by bandleader Johnny Otis to meet Big Mama Thornton at a rehearsal in the garage of his home. Johnny Otis was hired to find a hit song for her, and turned to these two white kids to write one. They wrote it that day, in about twelve minutes. When I interviewed them in their Sunset Strip office in September, , they spoke about the birth of this song.
It was not written at his piano, Mike Stoller said, but by poundng its rhythm on the side of his old car, a grey-green Plymouth.
That word is kind of replacing another kind of a word. I said.
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